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    Résumé

    Réunit une quinzaine de contributions sur les oeuvres polyphoniques composées pour le propre de la messe par Heinrich Isaac (v. 1455-1517), dont l’ensemble de chants publiés après sa mort sous le titre «Choralis Constantinus». Ces oeuvres sont replacées dans le contexte des traditions du propre de messe de la fin du XVe siècle et du XVIe siècle.




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